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In demand as a soloist and chamber musician alongside today’s top artists, harpist Bridget Kibbey is a recipient of the prestigious Avery Fisher Career Grant, the Classical Recording Foundation's Young Artist Award, a Salon de Virtuosi Grant, the only harpist to win a position with the Chamber Music Society of Lincoln Center’s Chamber Music Society II, a winner of Concert Artist Guild's International Competition, Astral Artist Auditions, and Premiere Prix at the Journées de les Harpes Competition in Arles, France. She has toured and recorded with Dawn Upshaw and Placido Domingo for SONY Records and Deutsche Grammaphon; and, her own solo debut album, Love is Come Again, was named one of the Top Ten Releases by Time Out New York. Bridget is featured annually with the Chamber Music Society of Lincoln Center, the Knights Chamber Orchestra, and Camerata Pacifica. She has appeared as featured soloist and chamber artist at the Bravo!Vail, Santa Fe, Spoleto, Chamber Music Northwest, Bridgehampton, Aspen, Bay Chamber, Pelotas, Savannah Music Festival, Music@Menlo Festivals, among others. With a passion for expanding the scope and platform of the harp, Bridget spearheads and tours cross-genre collaborations that reignite an ancient instrument. She recently traveled across the country with a special appearance at the Colombian Embassy with Chalaca, a new trio exploring the cross-pollination of folk music in South America, alongside Colombian clarinetist Benito Meza, and percussionist Samuel Torres. Bridget spear-headed a five orchestra concerto-commissioning consortium with Juno-Award winning composer Vivian Fung, and performed five world-premiere performances with The Karlsruhe Badische Symphoniker (Germany), The Phillips Camerata in Washington, DC, The Alabama Symphony, The San José Chamber Orchestra, and the Metropolis Ensemble. Last season Bridget announced a new concerto consortium, with participating orchestras launching performance in 2019/2020, featuring a new harp concerto by Brazilian-born João Luiz Rezende. Bridget maintains harp studios at Bard Conservatory, The Juilliard School Pre-College Program, and The Curtis Young Artist Institute.
Pre-concert talk: All are invited to the Penler Space at 6:30PM to hear Yaniv Dinur speak about the evening's program.
Support Our Concert Sponsors!
What a fantastic evening! Thank you to everyone who helped make this event so successful! See photos and list of supporters.
In the 2018-2019 Learning in Concert Program, we will explore three compositional techniques used by masterful composers that also serve as three models to improve the growing plastic pollution problem. The key to a sustainable planet lies within these composers' resourceful skills. During the composition process, the skillful composer will reuse (repeat), repurpose (modify) and recycle (reconstruct) musical ideas within a piece of music. Use of these techniques has allowed great composers like Beethoven to create beautiful symphonies crafted from a small amount of musical material. Just like Beethoven, these same three techniques of reuse, repurpose and recycle are also effective actions needed to reduce plastic pollution on our planet.
Each year, over 2 million metric tons of plastics ends up in our oceans, with only 9% of the world's plastic currently being recycled. This has created a serious problem to our aquatic, airborne and terrestrial environments and to the health of humans and marine and land animals. Throughout the Learning in Concert program, students will explore the concepts of reuse, repurpose and recycle through musical composition and hands-on, plastic repurposing activities. Through a partnership with the Buttonwood Park Zoo, our students will continue this exploration to learn about the devastating effects of plastic pollution on land and marine life.
Learn more about Learning in Concert, including videos of past programs!
We have a number of live concert recordings of NBSO performances available to listen to here. Listen at your leisure, then let us know what you think! Email us at info@nbsymphony.org.
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